Art Major Life: Linocut

Just before fall break, I finished my second printmaking project of the year. I’ve done some work with relief printmaking before and wanted to experiment a little bit more, so for this project I worked with speedy-cut (a rubber-like substance perfect for carving) on a medium scale. I chose to do a monoprint series that addressed the theme of femininity. I’m very interested in the classics (I would be a double major if I had time for the language requirement!), so I worked with figures from Greek mythology. In particular, I chose to represent two women of Ancient Greek mythology that represent different sides of femininity for me: Persephone and Artemis.

My carved and inked plate of Artemis with my first test print

My carved and inked plate of Artemis with my first test print

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An Argument for Poetry

I have a clear memory of six years old, sitting cross-legged on the floor in my classroom, cutting out the pieces to the acrostic poem I had written a few days before. There was a precision to my gluing, a desire to get the lines exactly right. I forgot about it for years, let the memory drift to the back corners of my brain. This poem, I suppose, is the first evidence I have of poetry in my life.


Here the the actual text from the poem I wrote to my mom in second grade:

Imagining is great!

Ladies are good.
Observe
Violence
Easy

Yarn is fun!
Object are great!
Unbelievable

have a Marry day!
Outlook
Mind

XOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOXOX
LOVE,
TALENA


From there, my love of poetry progressed: cataloged in a Mother’s Day poem I wrote in fifth grade, typed up in Comic Sans, used the wrong your/you’re and seventh grade, walking through the concrete hallways reciting “Annabel Lee” by Edgar Allan Poe from memory. I continued to dabble in poetry throughout high school, writing about this and that. In the margins of my calculus notes there are dashes of phrases, half-written poems that someday I’d get back to.

It’s important to study literature, because it gives a deeper insight to meanings. Analyzing English gives perspective of the surrounding world, a way to perceive emotions in a different way. In turn, poetry is an extension of this. It falls into the gap, between the universal and the personal. Meaning shifts from person to person, experience to experience, but there’s nearly always something someone can connect to.

For me, poetry is a way to express emotions. I let it center around the words I never say, the memories that come back, from time to time. Poetry is a creative way to capture an experience and I cannot stress how important I think that is.

So write. Write bad poetry, good poetry. Things that (don’t) rhyme, things with rhythm. Make up a story, make up an experience. Practice enjambment, practice and fail and succeed and know that it’s okay. Let yourself relive that memory when it comes back. Write it down so it’s raw and real and important, because it matters.


Here is an example of a poem I wrote more recently, as a way to show that my poetry has at least slightly improved since second grade:

School Picture Day, 2002

Six-year-old me didn’t yet have the world on her shoulders,
but she had an atlas brain. Curly red hair forming ringlets
around an unfreckled face. Back when tears were easy to spring
to the surface and I still had an underbite smile. Career option:
astronaut princess and Grandma taught me cross-stitch.
The Magic Tree House series, scraped knees, Girl Scout
uniform, and I didn’t know what headache meant. Tracing
the alphabet over and over on sunny days and I could see the purple
slide through the chain-link fence and windows.

I ate kiwis until my mouth puckered shut and I’d stretch my lips
into a grin, stand in line waiting to go into class with a heavy
metal song stuck in my head because Dad played his
music loud and would sing with the windows rolled down,
elbow resting against the door, hand hitting roof
edge with every guitar strum. Stand in line in a dark green
velvet dress tucking pistachio shells into its lace trim

because the future was undefined, for six-year-old me.

Happy Lunar New Year

As a Chinese-American I’ve celebrated the lunar new year, or in my personal case Chinese New Year every year in some manner. My family has our own ways of celebrating, by eating mooncake from Eastern Bakery (in San Francisco, which we always ship to Hawaii because it’s the best!), making and eating gau (chinese mochi, no dates for us those are nasty), other treats such as almond cookies (my dad’s fave!) and peanut sticky candy and a full chinese family dinner. Since this is my third year at the University of Puget Sound, it’s also my third year without many of these traditions my family has. And while that’s sad it’s also a reality check, when I graduate I probably won’t be moving home and continuing life as I did for the first 18 years of my life. I’ll be on my own, making friends and community, starting my own cultural traditions and life. But thats a thought to continue in one and a half years (when I graduate).

For now, the sub and DCS respect and support the lunar new year tradition along with other cultural signifigant events and dates with special dishes. For this year they prepared good luck rice cake soup, cucumber kimchee and fortune cookies. While these aren’t the traditions I’m famililar with they may be home-y and comforting to others who also celebrate the Lunar New Year such as Koreans, Vietnamese, Chinese and other east asian countries that follow the lunar calendar. It’s a reminder that people celebrate their culture differently everywhere and it’s adapted and grown over time beyond the countries they originated in, which is a really cool thing to think about.

chinese new year

 

For me, celebrating Chinese New Year away from home means awaiting goodies from my other Chinese (and from Hawaii) friends, some of whom made almond cookies, others who their grandma (or in cantonese, po-po) sent up homemade gau to enjoy. This year some friends and I decided to participate in the Tacoma tradition of hunting for monkeyshines. 13th years ago a group of local glass-blowing artists were feeling gloomy as the winter weather can make us feel and decided to spread some light and love in the spirit of the chinese new year and created glass baubles as cups, ornaments, balls, medallions and more all stamped with the zodiac (in that year the monkey) and hid them all over Tacoma. Flash-forward to the present, many people of Tacoma are out and about early (like 4am early) on Chinese New Year to find these hidden monkeyshines (named after the first zodiac year and the shine of the glass) all around Tacoma in front yards, Old Town, the waterfront (and actually in the water!), parks, bushes, anywhere you could think to spread the good spirit and excitement. When my friends and I ventured out we ran into other young 20-year old people, families with children, adults, elderly people and more all wandering Tacoma in the dark with flashlights looking for these magical treats. While we didn’t find anything yesterday morning, we definitely bonded over the excitement, searching, cold weather (mid-30s), and meeting other searchers. And although we only found a few trinkets and marbles, we are even more excited and determined to find monkeyshines next year!

monkeyshines

Happy Lunar New Year! Gong Hey Fat Choi!

Chasing ideas

You’re just sitting there when the idea pops in your head. It’s a great idea. Maybe you hit the wall when writing a paper and this idea could get you going again. Maybe it’s greatest invention of mankind. Maybe it’s the perfect line to use on that girl you see in Diversions all the time when you ask her out. Whatever it may be, it’s great.

But then you get distracted and lose it.

What was it again? It was something like… I mean, it was like… Wait! I had to do something with… No, that not it. It definitely wasn’t “Every student should be given a corgi when they first step onto campus”. Although that is a good idea, write that down.

We’ve all been here, having some of our greatest ideas just out of reach. What can you do?

Seriously, what can you do? I have no idea. Like, I had the greatest idea for a post for this blog and I lost it.

At least it wasn’t all bad. I got this post out of it. Although it is mostly rambling…

Now, what was that idea….

 

10 Songs Recently Played on My iPod

I know, iPod, right? So dated.

  1. “Two Lights,” Five for Fighting
    • The lyrics of this song are hard to grasp without contextual information, but with this information they are candid, without being cliché, and not so figurative as to draw attention to their poeticality. John Ondrasik’s greatest virtue remains his ability to write meaningful lyrics, especially in the void of 21st century pop. 
  2. “Bedshaped,” Keane
    • A stylistic accomplishment, “Bedshaped” is a controlled performance of lyrical depth, flawless in its delivery, with an underlying suppleness reminiscent of Coldplay. 
  3. “Fast Car,” Tracy Chapman
    • More than just a song to listen to as you’re driving down the highway at night, “Fast Car” possesses that narrative quality that songs today lack, while boasting the voice of a singular artist. 
  4. “You’re the Inspiration,” Chicago
    • Chicago is an underrated, if overselling, band, and ‘80s Chicago is, in all its sentimentality, my favorite. What makes “You’re the Inspiration” the biggest hit to come out of the period is the interplay of its voices, the balancing and counterbalancing of melody and harmony. The layering of voices gives the song depth, while Peter Cetera’s lead commands but never overshadows. 
  5. “Unwell,” Matchbox Twenty
    • How can you not love the opening motif? The transitions are seamless, and vocal artistry is hardly a problem for Rob Thomas. 
  6. “Sunny Came Home,” Shawn Colvin
    • The lyrics of “Sunny Came Home” don’t quite match the tenor of the accompaniment, resulting in a work that undermines and ironizes itself—which is the brilliance of the song. It’s also a better revenge song than Carrie Underwood’s “Before He Cheats” (nothing against Carrie). 
  7. “Chasing Cars,” Snow Patrol
    • A minimalist pop song seems like a contradiction, but “Chasing Cars” makes it work with its sensitivity to dynamic and layering, and with its sparse, haiku-like lyrics. 
  8. “Hotel California,” The Eagles
    • An effortless song in every way. Neither overdone nor underdone, “Hotel California” represents the best of ‘70s rock and claims impressive staying power. 
  9. “Drops of Jupiter,” Train
    • An example of a song with meaningful, if self-consciously grandiose, lyrics. “Drops of Jupiter” dabbles in metaphor and hyperbole, which works with the its charismatic singer and sweeping, orchestral accompaniment. The song, which recalls The Beatle’s “Hey Jude,” is more affecting for its compression (I’ve always found the postlude of “Hey Jude” protracted), its command of the metaphor, and the earnestness of its delivery, which is never less than convincing. 
  10. “What a Wonderful World,” Louis Armstrong
    • Can you argue with a classic? 

Red Flags and Teddy Bears

I have two new interviewing tips for you: do your research and know what your nervous habits are. Today, I had a job interview at the Northwest Parkinson’s Foundation. Doing my research really helped me put my best foot forward. As for nervous habits…let’s just say I re-learned something about myself.

There are two good reasons for doing your research. Firstly, if you come prepared and knowledgeable about the company it shows employers that you are willing to make the effort and are serious about the job. Secondly, if you do your research, you will probably find any red flags about the company you are interviewing with. Check sites like yelp or glassdoor.com to see what current and former employees of the company have written. When I was checking out a prospective company, I found a review that said this:

“If you leave your desk for anything other than going to the bathroom, you have to send an email to everyone in the office saying how long you’ll be gone and where you’re going. Such as – ‘personal call – 3 minutes,’ ‘coffee run – 5 minutes,’ ‘stretching my legs – 2 minutes.’”

The company replied that they were addressing this policy and that it had “evolved organically.” They’re a public relations company, so I would have thought that they’d come up with a better excuse than that. Anyway, if you look at review sites you can sometimes find the little chestnuts like this before you choose to work somewhere. Exercise caution though. If a review is in all caps, it’s probably best to ignore it.

It also helps to be familiar with your nervous habits before you go into an interview. Today, for instance, I found out that when I’m nervous I start to tell a lot of jokes. This is fine as long as they’re good jokes, otherwise not so much. When my interviewer asked how my friends would describe me, I replied that a high school friend had said I was like a teddy bear with muscles. Luckily, my interviewer laughed, but it was a good thing the session ended before I got around to asking her why the chicken didn’t cross the road. Answer: Because he was chicken.

So do your research. Know thyself and thy prospective company. If you do that, you should be fine. Unless anything really terrible happens like the building catching fire or something, in which case you’re not fine—you should probably reschedule.

How I Ended Up in France For a Semester

It’s actually a pretty wild story.

At the University of Puget Sound, it is required to submit application to study abroad by January 31 of the year preceding the one that you desire to study abroad. What this means, of course, is that if you want to spend Spring 2016 in a far off country, you better know by the January of 2015. And, if you are anything like me, asking questions about the future up to and including “What are you wearing today for your class in an hour,” “What time do you want to meet up for today,” and “Do you want to go out tonight” result in mostly in blank silences and mild panic.

So, although, I did want to study abroad, in theory, when January 31, 2015 rolled around my head was filled with such problems such as:

  • I don’t even know where I want to go.
  • Do I still want to continue studying French?
  • Do I have to go to France to study French?
  • It’s kinda expensive to study abroad.
  • Shouldn’t I get a job instead?
  • My parents studied abroad and met while studying abroad what if this is a gigantic plot to find my One True Love.
  • Also I can’t do anything they ever did, right???
  • I’m pretty sure my friends will die without me.
  • I still don’t know where I want to go
  • Whoops, there goes the deadline.
  • Nevermind then.

I thought this was the end of the tale.

Obviously, it was not.

The French department at UPS runs a program to study abroad in Dijon each spring. (Most study abroad programs run through some outside body, like SIT or some other ones that I def cannot remember anymore.) It is the French professors who review the applications and decide who gets to go, and it is also the French professors who pull strings to get people who maybe have not done any official paperwork into the program.

I received an email on the last day of school of Spring 2015 from one of the French professors (Salut, Diane) who asked me if I wanted to study abroad in Dijon. After about three seconds of hemming and hawing, I said yes.

What followed was a whirlwind of subverting a lot of school bureaucracy (Merci, Michel)—and then dealing with a lot of French bureaucracy. Honestly, it would take about four blog posts and a lot of censorship to document just how much the process to getting a French visa sucks—and yes, you do need one, for which we may thank George W. Bush.

Anyway, this was just the set-up. In the following weeks, I’ll be covering some of my school-approved (and school-funded) adventures in France.

Because yes, I am now in Dijon.

it’s not just four years, its for a lifetime

On January 27th, 1870 four women named Bettie Locke, Alice Allen, Bettie Tipton and Hannah Fitch founded the first women’s fraternity, Kappa Alpha Theta at DePauw University, an organization I am a proud member of. This year marked 146 years of friendship, scholarship and women empowering women and it was a wonderful experience  to attend the Seattle Alumnae chapter’s Founder’s Day lunch. Especially after completing formal recruitment this past Tuesday and welcoming 30 amazing women into the fold, the lunch & time spent with women who share the same values of Theta throughout their life after college and meet other Theta’s wherever they’ve lived.

Boycott Driscolls and the Power of Protest

driscollls berries

One thing that we emphasize here at Puget Sound in our course work is Social justice. This is particularly true in the department where I focus, Sociology and Anthropolgy, where discussions of privilege and power relationships are the building blocks of our discipline. But reading about injustice in a book only goes so far, and part of a liberal arts education is acting on what is learned in the classroom to support activism in the wider world. Universities are bubbles, and staying inside them is safe but also silly-and a disservice to those beyond the bubble who need support.

This weekend, Puget Sound students had the opportunity to step outside their own lives and support others by collaborating with Familias Unidas por la Justicia, a farmworkers rights union formed by farmworkers who labor for Sakuma Bros. farms, a corporation that supplies berries for big name brands like Driscolls and Haagen Dazs. Famillas Unidas is a coalition of farmworkers striking for better wages, humane hours, and saner working conditions and encouraging others to boycott Driscolls to force change. Advocates for Detainees’ Voices had the opportunity to bring representatives from Familias Unidas to campus for a panel on Thursday evening, and then we organized a protest on Saturday at the Metropolitcan market to protest the sale of Driscolls berries there despite continued requests from community members to pull the berries from their shelves.

The panel was a truly amazing experience, with Puget Sound students getting to speak with inspiring labor leaders and hear about why they are striking, and what they hope to achieve. As the president of Familias Unidas said, “We aren’t trying to get rich. We just want to live like you all, to live like people.” The bravery and intelligence of the Familias Unidas representatives–and the clarity of their mission–was impactful for me and I am sure for others as well.

Having the chance to take the message that Familias Unidas shared with us in the panel to the streets Saturday morning–to feel that we were doing somehting concrete, small though it was, to fight Driscolls–was affecting for all of us. There is such dynamic energy when a large group of people comes together, especially when they are doing so for a cause they believe in. None of us felt the cold Saturday, and none of us felt our throats becoming raw. Because protest is powerful, and protest is important. We were yelled at by a Met employee and had our fliers handed back to us by a few disgruntled customers, but most people stood with us, cheering for our message and beeping from our cars. So maybe, when they parked those cars and went into the store, they thought about the men, women and children who grow their food, and maybe they bought the other brand of blueberries.

Our protest didn’;t change anything major. It didn’t move mountains or even hills. But I think it shifted a few boulders, and maybe, as Familias Unidas continues to fight for their rights, we’ll see a landslide soon.

10 Frightening Books

  1. Inferno, Dante Alighieri
    • What’s scarier than Hell? Here, you have the honor of being led by Virgil on a tour of the nine circles and, in the end, you make the acquaintance of Lucifer. Find a version with Gustave Doré’s engravings—they’re beautiful. 
  2. A Portrait of the Artist as a Young Man, James Joyce
    • Read it for Father Arnall’s sermon on Hell (chapter three), which is almost as scary as Hell itself.
  3. Nightwood, Djuna Barnes
    • Like a good horror movie, half of the scares come from not knowing what’s going on. The other half of the scares come from the extent to which obsession dominates the characters in this book. Bonus points for a final scene of hazy parallelism (possession?) between a woman and a dog.
  4. A Pale View of Hills, Kazuo Ishiguro
    • Ishiguro’s is a subtle horror, which navigates the terrain between the psychological and the philosophical fluidly. Ishiguro is sparing in his clues, leaving only enough to tantalize the reader in the not-knowing.
  5. Steps, Jerzy Kosinski
    • Steps is bizarre and sure to unsettle. At times, it seems that this slim volume is only a collection of perversion and violence, though to the discerning eye, it is always, if improbably, more.
  6. Nausea, Jean-Paul Sartre
    • The weight of meaninglessness impinges to claustrophobic effect in Nausea, which, after 200 pages, lingers like the void that surrounds us. 
  7. The Book of Revelation, John of Patmos
    • The final book of the Bible features a cast of characters of immense mythological significance—such as the Dragon and the Beast 666, and, of course, God—doing immensely scary things. 
  8. The Sense of an Ending, Julian Barnes
    • This short novel relies on tenuous causal links to question the range of human agency. Did I cause this to happen, or is it just a coincidence? The not-knowing is consuming and a source of epistemological dread. 
  9. 1984, George Orwell
    • An unlikely choice, but: Rats! Additionally, the vision of totalitarianism that the novel presents is as relevant today as it was in 1949 (the year of publication), what with contemporary concerns of surveillance and negationism. 
  10. 2666, Roberto Bolaño
    • I’ve mentioned 2666 before, but it bears inclusion on this list, for it details one of the worst sprees of crime in recent memory, with an intentional dispassion that heightens the horribleness of the acts. Read it.