Altered States

James Allen

James Allen and Chrysanthemum Growers Treasury

Offering a true sensory experience, every book is a work of art. A bibliophile inhales the scent of the book as they feel the texture of each page and pore over the rich text and illustrations over and over again.   As I sit typing, I glance over at my library. It is small, just under 500 books, none of which are rare or even particularly valuable, but I treasure each and every one, nonetheless. Why would I think to desecrate such a treasure by marking in the margins or cutting out a page? And yet, what if it means reincarnating an old book into a new form to be both admired and enjoyed?

Combing through garage sales and other sources, James Allen does exactly that, discovering old books and creating a provoking new work of art. To James, the process is as rewarding as it is thoughtful.   Using a reductive process, he carefully wields a scalpel, cutting away pages until the heart of the book is exposed.   As I look down into the depth of a book James has excavated, I see an old discarded book transformed into a work of art to be treasured once again. I glance again at my books on their shelves and wonder, what if……?

James Allen (Portland) finds inspiration in the ephemera of the common objects we encounter everyday altering objects such as books, magazines, photos, and postcards to create new experiences through existing media. He earned a BFA in 2000 from the University of Wisconsin Milwaukee and was featured in the book, Art Made from Books: Altered, Sculpted, Carved, Transformed. For more information about the artist, visit his website at:

Universal History The Modern World II

Universal History The Modern World by James Allen

Closely Related Movements of Birds II

detail: Closely Related Movements by Birds by James Allen

Blog by Mark Hoppmann
Photo Credits: Mark Hoppmann, Jane Carlin


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Thank You!

DSCN7259Like fine wine slowly poured into a glass, the Tahoma Room on the University of Puget Sound campus filled with book artists arriving for the annual Puget Sound Book Artists members meeting .

Those attending the event, find it creates an ambience not found anywhere else. Add a new location, a new date and time, and the anticipation almost takes on a life of its own.   We came to enjoy a Continental breakfast and to peruse the silent auction table in the hopes of placing the winning bid for a new found treasure. We came to listen to Yoshiko Yamamoto of the Arts and Crafts Press speak about her work, and we came to learn what we, the Puget Sound Book Artists had accomplished in 2014 as well as our goals for 2015. I think most importantly though, we came to share with friends, both old and new. Like that glass of fine wine, it was a day to savor, and I can think of nothing more enjoyable than sharing a glass with good friends.

Everything the Puget Sound Book Artists accomplishes is made possible by our members; through membership dues, volunteer work, support of our Silent Auction, and of course attendance of our lectures, presentations, and workshops throughout the year. Thank you to everyone for making our organization such a success.

blog: Mark Hoppmann
Photo Credit:  Mark Hoppmann
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Everyone Has a Story to Tell

MalPina Chan Image revised     Everyone has a story to tell. I am not speaking about a simple tale, a joke, or about something that happened yesterday on the way to the forum. I am speaking of those personal narratives which make us different from one another. We may choose to write about ourselves, a person of interest, or we choose as MalPina Chan; to create a narrative about our ancestors and their journey to America. Creating a book as a work of art using a personal narrative is not an easy task but MalPina proves it is possible. Using original documents including original certificates of residence, certificates of identity, passports, immunization certificates, visas, photographs, or something as obscure as a head tax receipt, MalPina weaves not just a story of her ancestors journey but a book as an intricate work of art. Viewing her work, we get the impression they are more than a work of art or a personal narrative.   We are looking at history.

MalPina Chan was born in California and received her BFA from Earlham College in Richmond, Indiana. Her work is a continuing investigation of the transitory nature of the human condition, our connection to each other and to the natural world. Her portfolio includes works on paper, glass, mixed-media, and artist books. She is a graduate of the Artist Trust Edge Professional Development program and a recipient of an Artist Trust GAP (Grants for Artist Projects) in 2012.

To learn more about MalPina and her work visit her website:

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Old becomes New

Book PressI think artifacts related to the book arts, fall into three categories.  (1)  Objects that don’t resemble books at all but are important, (2) Curiosities that look like books, but aren’t, and (3) Those items which aren’t necessarily art, but are books.  All are historically interesting if not intriguing.  As an avid antique hunter/gatherer, I am always scanning antique shops, estate sales, and antique shows for anything that falls into those three categories, usually without any clear idea of what I am looking for.  In other words, I will know it when I find it.  Unless of course it falls into the first category, in which case I had been looking for this particular item for some time.  It had haunted my dreams ever since I had found it unobtrusively sitting on a counter in the back of an antique shop on Antique Row in Tacoma, Washington.  Two months later, I walked out with my own 19th century cast iron book press which I subsequently found out was actually an antique copy machine which is now used by book artists worldwide as a book press.   Recycling can refer to more than just separating paper from glass.  At any rate, it now sits proudly in my studio happily pressing books as if it had its own personality, which of course, it does.

Brass PaperweightIn Irving Stone’s The Agony and the Ecstasy, one of Michelangelo’s friends states, “It’s the hunt that matters.”   I prefer to think it’s more enjoyable to find something when you are not searching for anything at all.  Something beckons from across the room, it’s brassy patina glinting in the dim light as it lies on a dresser almost hidden in the chaos of other items that have been placed out for an estate sale.  Holding it in my hand, I know it is meant for me; A brass paperweight in the shape of a book.  I had never known one existed, so how could I have been searching for one?

Nebraska MapAntique Shows are different.  The hunt is on.  I enter the glass doors of the pavilion at the Puyallup fairgrounds with the knowledge, I will walk out with something.  I just don’t know what it will be.  I pass on the 19th century, sterling silver, mechanical pencil for $100.  I open countless volumes of 19th and early 20th century children’s stories, not finding anything that really catches my eye.  I have filed a few possible items to memory but have found nothing that floats my boat so to say.  Is it possible that I will find nothing at all?  Oh, the horrors!  On one of the last tables, a small book beckons.  In gilded letters, it says, New Sectional Map of Nebraska, my old stomping grounds.  Franklin B Marsh is inscribed on the inside front cover, proclaiming ownership.  The book was printed by the State Journal Company in 1885 with a small index of county populations measured by the 1885 census.  Yes, there really was a census in 1885.  The map folds out to measure approximately 23″ x 40″ and folds back up into the hardcover book measuring 6″x 4″.  My heart sinks when I see there is no price as I think of the old adage, if you have to ask, you probably can’t afford it.  The proprietor turns to me as I hold up my find.  Hmm….he says.  I’ll let you have it for a buck.  I pull a crumpled dollar bill out of my wallet and hand it to him.

For more information on the history of copy presses, visit the early office museum
For more information on the history of the 1885 census, visit
As for the history or maker, of the brass paperweight, stay tuned………

Blog and photographs by Mark Hoppmann


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On The Surface: Expressing Your Ideas On Cloth and Paper

Lily & Carletta

Lily Richmond and Carletta Wilson work under the watchful eye of Lucia Harrison


705 Court C in Opera Alley had definitely changed from when I had last been inside some twenty years before. Remembering a large retail space, I was instead greeted by a long hallway bordered by artists’ studios and shops as I rechecked the address and opened the door. A figure silhouetted by light greeted me with a familiar voice from the doorway at the end of the hallway, before vanishing from sight. A murmur of voices beckoned me.

Dorothy McCuisiton

Dorothy McCuistion creates an imprint on fabric


Afternoon light poured into a spacious work area filled with just over twenty people, three of whom were busily facilitating a two day PSBA workshop.  Divided into three rotating groups, to generate interaction between participants, “On the Surface,” was actually three workshops conducted simultaneously by three different PSBA artists.

It was nothing short of remarkable. From MalPina Chan’s demonstration of paper lithography, allowing the transfer of images to paper or fabric using nothing more than photocopies and gum Arabic to Deborah Greenwoods use of gelatin plates and pressed plants to created designs emphasizing both negative and positive space, to Lucia Harrison’s tutorial on how to make book cloth backed with Japanese paper, as well as an introduction to fabric painting, it was all beautifully orchestrated

Shoshona Albright

Shoshona Albright hangs one of her impressions on the drying rack

Even more impressive was participants were encouraged and given the opportunity to experiment and to push boundaries by combining techniques and processes.   An Gates used plants and monoprinting to create fabric designs while Carletta Wilson used monoprinting techniques on antique handkerchiefs.   Maura Dunegan used paper lithography to print one of her grandmother’s recipes onto cloth, while Dorothy McCuiston chose to create lively overlapping designs.   Afterwards, as they drank in what they had accomplished over the last two days, resonate was a word Carletta Wilson used to describe the workshop.   It applied to how the instructors worked with the participants, to how the participants interacted with each other and most importantly how the finished work affected everyone in the room. Resonate; it’s a good word.

Blog: Deborah Greenwood, Lucia Harrison & Mark Hoppmann
Photos: MalPina Chan & Mark Hoppmann
Deb, Lucia, & MalPina

MalPina Chan, Lucia Harrison, and Deborah Greenwood, facilitators for the On The Surface workshop

Mari Gower

Mari Gower smiles as she creates an impression using dried plants.

Alan Harvey

Alan Harvy with his tools and materials in front of him as he prepares to make an impression.








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Cartonera Publishing Workshop Comes to Puget Sound

Cartonera I resizedMembers of PSBA had the opportunity to join visiting poet and scholar, Juan Armando Rojas Joo, at the University of Puget Sound on October 2nd for a workshop on Cartonera Publishing.  Juan, a Associate Professor of SpanishDepartment Chair at Ohio Wesleyan University in Delaware, Ohio was on campus to share his poetry and the role of the cartonera in Latin America.

Cartonera II resizedAs a native of Ciudad Juárez, one of the most violent border towns in Mexico, Dr. Rojas Joo’s poetry offers a first-hand account of life on the border while examining the complex relationship between Mexico and the United States. His scholarly and literary work has been published in numerous journals, magazines, and anthologies and he has been invited to speak at several universities both in Mexico and in the United States. In 2011, Dr. Rojas Joo spent a semester as the poet in residence at the University of Coímbra in Portugal and in 2012 he teamed up with the Spanish “cardboard” publishing house, Editorial Ultramarina Cartonera & Digital to publish a bilingual edition of his “trans-border” poems, titled Luz/Light, which will be presented.

Cartonera IIIThe Caroterna ( cardboard) movement offers poets the opportunity to disseminate their work while engaging students and entire communities during the process.  Using recycled cardboard, book covers are constructed and decorated in community workshops that promote poetry readings.  These cardboard books, colorfully hand-painted and assembled by workshop collectives, are now bought and sold in nearly every major Latin American city.

This movement has been growing for years and has been popular in Argentina where The Cartoneras project aims to promote the celebration of language, culture, and creativity through a collaboration between writers and cardboard collectors.  They produce and publish beautiful books with hand-painted cardboard covers that speak of the wonderful literature inside.

These projects inspire us to think of ways we could bring literature and art to the public!  After all, creative play is critical thinking.

blog and photos by Jane Carlin

To find out more about Cartonera as an art form, visit the links below.

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The Power of the Book

Best of Show Award:  My Little Book of Suicides by Susan Collard

Best of Show Award: My Little Book of Suicides by Susan Collard

It is often said there is nothing new to create. I don’t believe that. Not for an instant.  Beginning as young artists we are sent out with the missive, paint your world. But too often we become jaded or cynical of that world, or worse complacent.   We paint, we sketch, we create, but something is missing.  Perhaps there are times when we must use our art to make a point. Goya created his body of work, Los Desastres de la Guerra.   Picasso was moved to paint his masterpiece, Guernica after the bombing of the village by Franco, aided by the German Luftwaffe in 1937.

Can books make a difference? The obvious answer is yes, of course, but it is more difficult than is seems. We already know it takes creativity to make a work of art. Add color, contrast, and composition to catch their eye. And above all courage. To an artist, their work is an extension of themselves. It takes a particular type of courage to put your work in a public forum. It takes an even greater amount of courage to expose yourself in public forum and take a stand at the same time regardless of whether that stand is controversial or not.

Just because our battles may seem smaller, they are no less important.  Our world evolves with or without us, but perhaps the book as art can help accelerate those transitions for the better. After all, the purpose of art is not just to enjoy.  It is also to make us think, to contemplate, and to understand. Add to that, the power of the book, and you have a powerful means to initiate change. We just need more courage.

To learn more on how books can be instruments of change, visit the Book Power Redux exhibition  currently at Collins Memorial Library, The University of Puget Sound, through October 15th, 2014. To find out more about the exhibition, visit the University of Puget Sound website.  The complete online catalog of the exhibition can also be viewed on the 23 Sandy Gallery  website.

Blog by Mark Hoppmann
Photo: courtesy of the 23 Sandy Gallery
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Harvest Time

Drying Irises

If you’ve never wondered what members of the Puget Sound Book Artists Board of Directors, do on their days off from their PSBA duties, this would be a good time to take note.  When we’re not being curatorial, attending board meetings, or like other book artists striving towards noteworthy goals of excellence, we find ways to get dirty, all for the art of the book.

I think for most artists each day begins with anticipation.  What direction will we take? Should we sketch? Perhaps paint? Work on some illustrations for a new book? Try out a new idea for Coptic binding? Experiment with a new technique? All of the above? Every now and then, we are given the opportunity to break away from the usual and do something entirely different. Harvesting iris leaves at Mark Hoppmann’s home with papermakers and fellow book artists Lucia Harrison and Deborah Greenwood along with their significant others , comes to mind. To the almost infinite list of materials needed to create a book, add sunshine, iris leaves to make paper, and a glass of wine (not necessarily in that order). Who knew? Cheers!

The Three Phases of Harvest

Iris leaf harvestReaping

Gathering the HarvestGathering

Deborah G.Celebrating!

Blog: Mark Hoppmann
Photo Credits: Mark Hoppmann
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Retreat to Move Forward!


“The mission of the Puget Sound Book Artists is to further the knowledge, practice and understanding of the arts of the book by means of educational activities including but not limited to lectures, workshops, and exhibits.”    Lofty words, but how do we best set out to accomplish those goals?

Once a month, the Puget Sound Book Artists board of directors, all working as DSCN6468 volunteers, meets to discuss business, provide updates, share ideas, and perhaps have a laugh or two.   But even more important than our monthly meetings is the one time a year, where for a few hours we escape to regenerate, restore a sense of purpose, and plan for the upcoming year.   This year, Lakewold Gardens proved to be the perfect sanctuary where, surrounded by our haystacks of materials, laptops, notebooks, and binders, we exchanged ideas, generated new ones, and slowly but surely over the course of four hours developed a plan for the rest of 2014 and beyond.

DSCN6462 IIIt seems a paradox, to realize one must retreat to move DSCN6445forward.  It may be an enigma for some to consider before coming closer to your goals, you must first free yourself from them.  But that seems to be what happened.  Perhaps all it takes is to be under the watchful eye of vigilant moss covered statuary, or to experience the simple fragile beauty of discarded flora floating in a reflecting pond.

We look forward to presenting our new Roundtable and Between the Cover events in addition to lectures, field trips and of course, Work Shops!

Blog: by Mark Hoppmann
Photo Credits: Mark Hoppmann


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INK This!

photoIILast night’s INK This!  opening at the Tacoma Art Museum was a feast for the eyes.  The exhibit, beautifully curated by Margaret Bullock, offered a distinctive array of print artists, including members of the Puget Sound Book Artists.  Guests fortunate enough to attend were afforded the rare opportunity to see books which included Deborah Greenwood’s exquisite use of handmade paper in her work, Sequel, MalPina Chan’s unique glass book Gui Shu (Ghost Book), or Catherine Alice Michaelis’s amazing Blue Volcano.   It was truly gratifying to view books represented as works of art next to printed works in intaglio and relief.

Guests were also given the opportunity to take home commemorative books they made themselves using the ancient Egyptian tacket binding technique.   Assisting them were Puget Sound Book Artist Members, Rochelle Monner, Bonnie Egbert, Jan Ward, and Karen Perrine.  The souvenir was a delight to all, as over 120 of these handmade books were created  and taken home during the evening.  Guests were also able to personalize their books either by monograms or by stamping personal heirogylphs in keeping with the origins of the Tacket binding technique.

PSBA members exhibiting in INK This!

MalPina Chan
Deborah Greenwood
Diane Jacobs
Chandler O’Leary
Catherine Alice Michaelis
Jessica Spring

    Congratulations to the PSBA members who helped make INK This! A resounding success,  and special thanks to Margaret Bullock curator for the Tacoma Art Museum for creating a wonderful exhibition.

PSBA members, Karen Perrine, Bonnie Egbert, and Rochelle Monner,  Photo by Jan Ward

PSBA members, Karen Perrine, Bonnie Egbert, and Rochelle Monner, Photo by Jan Ward

PSBA member, Jan Ward assists guests in constructing a take home book using Tacket binding techniques.  Photo by Rochelle Monner

PSBA member, Jan Ward assists guests in constructing a take home book using Tacket binding techniques. Photo by Rochelle Monner

A guest studies MalPina Chan's work

A guest studies MalPina Chan’s work, Gui Shu, part of the INK This exhibition at the Tacoma Art Museum. Photo by MalPina Chan.

Blog Contributors: Jane Carlin, Mark Hoppmann, MalPina Chan, Jan Ward
Photo Credits: Jane Carlin, MalPina Chan, Rochelle Monner, Jan Ward

To read more about the exhibition, be sure to read Rosemary Ponnekanti’s review in the Tacoma News Tribune!


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