A humorous memoir-in-essays

For Damon Young, existing while Black is an extreme sport. The act of having black skin while searching for space to breathe in America is enough to induce a ceaseless state of angst where questions such as “How should I react here, as a professional black person?” and “Will this white person’s potato salad kill me?” are forever relevant.

What Doesn’t Kill You Makes You Blacker chronicles Young’s efforts to survive while battling and making sense of the various neuroses his country has given him.

What Doesn’t Kill You Makes You Blacker is a celebration of the idiosyncrasies and distinctions of Blackness and a critique of white supremacy and how we define masculinity.

Find this and more in the Popular Reading Collection!

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Collins Library Links: Leaving Elsevier, should we stay or should we go?

2013_CollinsLibraryLink

Leaving Elsevier, should we stay or should we go?

Many of you have no doubt read about the recent decision made by the University of California System Libraries to cancel their Elsevier journal subscriptions. This was highlighted in a recent Chronicle of Higher Education article.  As a reaction to this decision, many libraries are issuing statements of support and concern as reflected in this Chronicle article: After the Elsevier ‘Tipping Point,’ Research Libraries Consider Their Options.  You may have questions about the status of the University of Puget Sound’s subscriptions with Elsevier and this email serves to provide you with information.

  •  The Collins Memorial Library does retain what we often refer to as a bundled (Big Deal) subscription package from Elsevier which provides access to full text journal content.
  • We also retain subscriptions to a number of journal packages offered by other scholarly publishers, Oxford, Sage, Springer, Taylor & Francis, and Wiley, in addition to collections from JSTOR and Project Muse.
  • We closely monitor the costs of these packages and every budget cycle review content and cost increases.
  • In some cases, we benefit from agreements that provide reduced costs as a result of our membership in the Orbis Cascade Alliance.
  • Certainly over the last ten years, we have witnessed a progressive increase in the cost of journals, as well as publishers efforts to bundle subscriptions giving libraries limited choices in how they provide access to scholarly information.

Where do we stand?

We endorse the statement that was recently issued by the University of Washington Libraries, which focuses on three core concepts: sustainability, equity and user-centeredness.

  • We must build collections and provide access to information that clearly supports the teaching and research needs of our Puget Sound community, while also being sustainable.
  • We must be good stewards of the funds allocated to the library, balancing the needs of our students and faculty while remaining fiscally responsible.
  • We advocate for and support open access to information as our colleagues at UW have so eloquently stated:  “We view access to information as a social justice issue, and for-profit publishers’ unsustainable pricing models, demand for nondisclosure agreements and insistence on paywalls hinders the pursuit of knowledge, impedes our support of an informed citizenry and restricts research for the public good.”
  • We know how important it is to have a dialog with you about these issues to ensure that we continue to meet the scholarly information needs of our community.

As we look towards the next academic year, we invite you to join in a conversation with us about the future of scholarly information and publishing.

Best wishes,

Jane


Need Information? Don’t forget the Collins Memorial Library – Library Guides
Questions? Contact your liaison librarian
Comments: Contact Jane Carlin, library director
Remember – Your best search engine is a librarian!

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London Centre for Book Arts: a presentation by founders Simon Goode and Ira Yonemura, April 24, 3:00-4:00pm, Archives Seminar Room

Based in what was once the heart of London’s print industry, the London Centre for Book Arts (LCBA) is an artist-run, open-access studio offering education programs for the community and affordable access to resources for artists and designers.   The Centre’s mission is to foster and promote book arts and artist-led publishing in the UK through collaboration, education, distribution, and by providing open-access to printing, binding and publishing facilities. The unique facilities at LCBA are available to everyone regardless of background, education or experience.   After several years of planning and acquiring hard-to-find equipment and machinery, the studio was established  in October 2012, becoming the first and only center of its kind in the country.

Collins Library owns a copy of their first book, Making Books, a useful and extensive printed companion to their popular bookbinding and printing workshops.  Students in our Makerspace have used their bookbinding kit.

Join us for a wonderful afternoon to meet these two visiting artists.

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HUM 399: Library as Collaboratory

Are you curious about careers in libraries, archives, or information science? Would you like to explore intersections of pedagogy, information ethics, and digital tools?  Consider taking Humanities 399: Library as Collaboratory, an activity credit course, in the Fall 2019 semester.

Expressly designed as an experiential learning opportunity, this course invites you to dive into the workings of a 21st-century library by undertaking, completing, and documenting a small library project.  In the first third of the course, you’ll be introduced to and work with some of the big ideas currently animating the profession; in the second third, you’ll have opportunities to try out specific projects, guided by several Collins Library librarians; and in the last third, you’ll design and work on your own project, either individually or as part of a team.  Along the way, you’ll be asked to actively reflect on your educational experience at the University of Puget Sound and to begin to articulate your growing repertoire of skills in critical thinking, communication, research, creative problem-solving, and ethical decision-making.

HUM 399 is offered every fall semester.  Fall 2018 students, pictured here, completed a rich variety of projects, including an engaging riddle-based library orientation game; an exhibit documenting the experiences of women on campus in the 1970s; an online guide for University of Puget Sound students to the Northwest Detention Center; an online infographic about research as a scholarly conversation; and an investigation of possible barriers to public library access due to public transportation routes.

-Peggy Burge, Coordinator of Teaching, Learning, and Digital Humanities

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From the Archives & Special Collections: Local Conditions: One Hundred Views of Mount Rainier (At Least)

We recently acquired Local Conditions: One Hundred Views of Mount Rainier (At Least), a stunning artist book by Chandler O’Leary, a Tacoma-based illustrator, letterer, and entrepreneur. O’Leary was inspired by Japanese artist Katsushika Hokusai and his collections of woodblock prints from the mid-1800s titled Thirty-Six Views of Mount Fuji and One Hundred Views of Mount Fuji. Just like Mount Fuji, Mount Rainier is part of the Ring of Fire, and both Hokusai and O’Leary were drawn to their local volcanoes. Unlike Hokusai, who saw Mount Fuji as eternal and immortal, O’Leary sees Mount Rainier as impermanent and ever-changing. Through her series of prints, she sought to capture 100 unique views of Mount Rainier, observed over a two-year period from September 2008 to October 2010. The book contains 120 image flats that make up all of the 100 real-life scenes, and can be combined in new ways to create new views of Mount Rainier.

Each scene consists of two to four flats, which are hand-drawn, painted, and cut by the artist. While the background flats are solid, the others have cut-outs, so that they can all be seen together to complete the scene. The flats are inserted in slots in the Viewing Box, which can hold up to eight flats at a time. In order to determine which flats belong in a scene, O’Leary includes a color code at the bottom of each flat, along with a Locator Key that contains the location, date, time, and weather for each observed scene. To learn more about how the book works, visit the Archives & Special Collections or take a look at O’Leary’s blog post about it.

The Archives & Special Collections is open Tuesday, Wednesday, and Thursday from 11:00 AM to 3:00 PM or by appointment.

By Julia Masur

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A story that will transport you over the rainbow

Hollywood, 1938: As soon as she learns that M-G-M is adapting her late husband’s masterpiece for the screen, seventy-seven-year-old Maud Gage Baum sets about trying to finagle her way onto the set. Nineteen years after Frank’s passing, Maud is the only person who can help the producers stay true to the spirit of the book—because she’s the only one left who knows its secrets.

But the moment she hears Judy Garland rehearsing the first notes of “Over the Rainbow,” Maud recognizes the yearning that defined her own life story, from her youth as a suffragette’s daughter to her coming of age as one of the first women in the Ivy League, from her blossoming romance with Frank. Judy reminds Maud of a young girl she cared for and tried to help in South Dakota, a dreamer who never got her happy ending. With the young actress under pressure from the studio as well as her ambitious stage mother, Maud resolves to protect her—the way she tried so hard to protect the real Dorothy.

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From the Archives & Special Collections: Logbooks

Logbooks are one of my favorite resources in the Archives & Special Collections. Logbooks, also known as student handbooks, were printed every year for incoming students. They often included a message from the university president and the ASUPS president, and outlined many aspects of social and academic life at Puget Sound. They included the student government bylaws, a social and academic calendar for the year, and descriptions of student clubs and activities you could join. They were printed for the entire campus, but were geared towards incoming first year students.

Our collection of Logbooks ranges from 1916 to 2009. Throughout the decades the Logbooks evolve and they serve as a wonderful indicator of what campus life was like in the past. They give us a glimpse into campus traditions, social norms, and the administrative structure that influenced students’ lives. If you’re interested in investigating an aspect of campus life, the Logbooks are a great place to start!

The Archives & Special Collections is open Tuesday, Wednesday, and Thursday from 11:00 AM to 3:00 PM or by appointment.

By Adriana Flores, Archivist & Special Collections Librarian

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Diagonals and Parallels: Exploratory Intersections in Music, Archives and Feminist Praxis: Megan Mitchell, April 29, 3:00-4:00pm, Archives Seminar Room, Collins Library

Presentation By Megan Mitchell
Audio Archivist, Puget Sound Class of 2012

Megan Mitchell traverses the intersections of music, gender, and social justice in various capacities. As proprietor of the index of female/trans/non-binary composers of experimental music, Many Many Women, she acts as a media equity advocate. Mitchell has a Master of Library and Information Sciences, from UW. She is the audio archivist for the music producer, Randall Dunn, as well as a field recordist, vocalist, and musician.

 

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Celebration of Faculty and Staff Scholarship and Creative Work, April 17, 4:00-5:00pm, East Reading Room, Collins Library

The library is pleased to host the annual celebration of Puget Sound faculty and staff scholarship and creative works.  Publications spanning articles, books, edited journals, musical scores, artwork, as well as recognition of performances and other notable scholarship, will be recognized at this annual reception.

The event will be held on April 17th in the East Reading Room in the Collins Memorial Library from 4:00 pm to 5:00 pm with remarks by the Provost at 4:30 pm.

We invite you to submit your 2018 – 2019 publications using the Celebration of Faculty and Staff Scholarship and Creative Work form by April 10th.  Please note, if you have previously shared publication information with Sylvia Benavides for the recent Board meeting, you do not have to fill out a new form.

Thank you so much for your contributions and we hope to see you on April 17th.

This event is sponsored by the Collins Memorial Library, the Center for Writing, Learning and Teaching, and the Office of the Provost.

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An intimate glimpse into a controlling and closed cultural world

Palestine, 1990, Seventeen-year-old Isra prefers reading books to entertaining the suitors her father has chosen for her. Over the course of a week, the naïve and dreamy girl finds herself quickly betrothed and married, and is soon living in Brooklyn. There Isra struggles to adapt to the expectations of her oppressive mother-in-law Fareeda and strange new husband Adam, a pressure that intensifies as she begins to have children.

Brooklyn, 2008, Eighteen-year-old Deya, Isra’s oldest daughter, must meet with potential husbands at her grandmother Fareeda’s insistence, though her only desire is to go to college. Deya can’t help but wonder if her options would have been different had her parents survived the car crash that killed them when Deya was only eight. Her grandmother is firm on the matter. But fate has a will of its own, and soon Deya will find herself on an unexpected path that leads her to shocking truths about her family.

Check out this book and more in the Popular Reading Collection!

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