Collins Unbound

The staff of the Archives & Special Collections recently voted to purge the collection of all material containing sentences that begin with the letter ‘A.’ This decision was adopted in response to the growing need for sentences beginning with ‘S.’ To accomplish this, student archivists will commence cutting sentences out of items and rewriting the sentences to begin with ‘S.’ If the cutting process proves too tedious, the students will simply white-out the sentences and write into the books. Such a process may seem defamatory, but Collins Memorial Library maintains that it is important to encourage innovation in a new generation of librarians.

Student workers are excited for this purging process to begin and have already triaged the items they would like to change. They will begin with Nicholas Copernicus’ “On the Revolutions” (1978), Malory’s “Le Morte d’Arthur” (1485), Swornstedt and Power’s “Methodist Hymns” (1850), and Houston S. Chamberlain’s “Richard Wagner” (1896). These are heavy tomes that will require the most work. Once those are complete, the students will move on to the rare books in the Shelmidine Room, including many ancient works collected from the Middle East.

HAPPY APRIL FOOLS DAY 2014!

By Maya Steinborn

Autumn Floods is a collection of photographs and philosophical quotations published by Peter Yung Wal-chuen in 1989. The book documents the artist’s visual interpretations of Chuang Tze’s traditional Chinese fables. He expresses his motivation behind the collection as both political (connected to the Vietnam War) and spiritual (connecting human to nature). He began taking these aerial photographs in the mid-1970s, so the collection spans fifteen years of travel in southeastern Asia, the United States, and across oceans.

• Yung Wal-chuen wrote nostalgically of his overall experience creating Autumn Floods:
  A dream come true. I should rejoice. Yet, I cannot help the twinge of regret, for my days of wanderlust must now come to an end, at least for a while. To be as inspired as I was to search the world from end to end is a rare thing in life. It happens once, twice if you’re lucky, maybe never. I was lucky. Once Nature and I existed together.

The photographs of clouds, rivers, forests, and desert sands are covered by a rice paper overlay onto which the accompanying Chuang Tze quote is written in Chinese calligraphic script. The quotes are translated in English on the page opposite each photograph. Yung Wal-chuen chose this quote to accompany a watercolor-like image of mountains obscured by soft white clouds:

• ‘Then,’ said the God of the Yellow River, ‘is it right to say: “Great are heaven and earth
  and minute is the tip of a horsehair”?’
  ‘No!’ exclaimed the God of the North Sea.
  All objects of creation, their volume and weight are limitless…

By Maya Steinborn

The 1920s were an exciting time for the University (at the time, College!) of Puget Sound. A new campus, new endowments, and students lining up to get into classes meant that the future of Puget Sound was looking bright. However, if you could believe it, in 1927 there were a grand total of five buildings on campus: Two for classes and administration, two dorm halls (one for men, one for women), and a single gymnasium. Jones hall was pulling triple duty, hosting classes, the library, and administration offices all at once. One thing was abundantly clear: The College had to expand. Fortunately, they had the resources, the space, and the momentum to accomplish that. At once, there was a flurry of proposals for what the campus should look like in ten, twenty or fifty years down the line. Would there be a bell tower? A new library needed to be built, but where? How many dorm quads did there need to be?

For every architect that the administration approached, we received a half-dozen new sketches of the campus as it could be, and twice over that for every proposed new building. Each of these sketches were kept and contemplated as the future of the College was carefully considered.

Some of the sketches, if you’re familiar with the campus, might seem a bit odd. For example, which building has the eight-story gothic bell tower by the entrance? Has the library always had those brick archways in front of it? And why isn’t the Student Union Building on any of these maps?

The truth is, though many aspects remain very similar, such as the two dorm quads, and grassy courtyard criss-crossed by sidewalks behind Jones Hall, the University would grow much more organically and much more steadily than these carefully planned prints would suggest. The economic issues of the 1930s would slow a great deal of expansion, a great deal of which would have to wait until after the Second World War and beyond.

These visions of an alternate history of the University, and more, are all kept in the Archives & Special Collections, so if you ever feel like taking a journey into the history of not just the University, but what the history of the University could have been, come visit our open hours, every Tuesday, Wednesday, and Thursday from 1:00 to 3:00 p.m.

By Zeb Howell