From the Archives: Becoming an Authority on Authorities

This week, I’m wrapping up the indexing piece of my project and beginning to actually format my Excel spreadsheets so they’ll be easier to transfer when I have to start putting the information online.

Right now, this is what my spreadsheets look like:

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See all that red? Those are my random notes on what the subject heading of the article should probably be. What I’m working on is making all of those random notes into Library of Congress (LOC) official subject headings. The blue ones are headings that are closer to being LOC but may need to be updated or reformatted. But how to find the official LOC subject headings (which are called “authorities”)?

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This (not) beautiful and (not) straightforward website. You’d think that the authoritative website on authorities would be much more streamlined. After all, it’s run by a place full of people whose livelihoods consist of cataloging and organizing information, and this website does not make one feel as if the information is at their fingertips. Using the LOC Authorities website requires a lot of digging and word manipulation.

But enough complaining. Ultimately the website is incredibly useful for finding relevant subject headings and determining where certain articles belong. I’ve just had to spend quite a bit of time finding those relevant subject headings.

Luckily, I’m not the only one who has struggled with using the LOC Authorities. A former UPS librarian created several thesauruses for specific things related to the University (a thesaurus in indexing is the specific system/group of headings consistently used in the index). And it’s in a much more user-friendly format…

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Yep! Good old Excel. Much easier for me to use and does not require tons of word manipulation. Not everything in here is LOC official but it’s at least a lot closer than my own random headings that I’ve been using.

What’s the big to-do about using LOC Authorities? Using LOC headings will make the indexed articles searchable by subject and accessible to the general public, not just the campus community. It will allow the index to be included in larger database searches, not just in Sound Ideas. It makes my project mean so much more.

BONUS!

Right as I began to wrestle with the LOC Authorities website I came back across an article from the October 28, 1964 issue of The Trail about Collins Memorial Library’s conversion from Dewey Decimal system to the Library of Congress classification system, which is way more popular today. It doesn’t involve the LOC Authorities, but deals with the general domination of the LOC over all aspects of library life.

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By: Jillian Zeidner

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From the Archives: Skis and Cowboy Hats

I’ve just returned from a ten day vacation, so I haven’t had time to really prepare a juicy blog post for this week. But I would like to present to you this gem of an advertisement from a 1964 issue of The Trail.

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Because I definitely ski in a cowboy hat.

By: Jillian Zeidner

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From the Archives: Dubious Advice

With each year, the columns in The Trail changed as old writers and new writers came in. At the beginning of the 1964-1965 academic year, one of the new columns/features was the provision of comedic “proverbs” as if they were serious advice. They were mainly space fillers, and for the most part they were just placed in random spots throughout each issue. Like this one:

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Pretty much all of them are dubious and kind of weird. I know that’s supposed to be funny but…I don’t get the humor.

In the first few issues, the proverbs were contained in a column entitled “Confucius Say”. They were framed as if a non-native English speaker was writing them in the form of Confucian adages. I doubt that The Trail would run a column with this format, or at least worded this way, now. Some of the proverbs are hilarious.

From October 1, 1964:

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My favorite is hands-down “Girl who wear glasses look better than girl who drain too many.”

From October 8, 1964:

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These proverbs were very obviously things that everyone needed to keep in mind. They certainly provided some dubious advice.

By: Jillian Zeidner

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From the Archives: In the Interviewer’s Chair

I’ve thoroughly enjoyed diving into the history of the University of Puget Sound. While I’ve learned a lot about the University through my indexing work (reading every single article from one and a half years’ worth of The Trail so far, I got an awesome opportunity to learn so much more this past week.

In my quest to discover what Bob’s Place was, I came in contact with Bill Baarsma, a Logger, former editor of The Trail, former faculty member, and the former mayor of Tacoma. In the course of our phone call, I got a lot more than I bargained for and he told me some excellent stories about his time as a student here. The stories were so valuable that I hoped to record them, and was able to set up a time to do a more formal, recorded interview with Bill about his time as a student and as the editor of The Trail.

Above: Bill Baarsma ’64 at the inauguration of University President Ronald Thomas in 2004

I prepared a set of seven questions about his time as the editor of The Trail and his policy on the reporting of national events, printed out a consent form, checked out a recorder, and reserved a few pages in my notebook for notes on the interview. I felt like a full-blown official oral historian.

Bill arrived at the library on Thursday morning and I immediately felt at ease. He’s a really nice, open, and friendly man, not that I expected anything less.

The interview lasted one hour exactly, and although he kept referring to it as a “conversation,” I only interjected to ask a question when the previous question had been exhausted. It was almost all him sharing his stories.

A couple of my questions revolved around President John F. Kennedy’s visit to Tacoma on September 27, 1963 and his assassination in Dallas two months later. I think that section is where Bill told my favorite stories of the morning. He had told me a shorter version of these stories in our initial phone call, and I thought they were so important that I wanted them recorded. Just a small excerpt: for Kennedy’s Tacoma visit Bill and two other Trail writers were able to get their hands on press passes to sit with the White House Press Corps, and he and one of his fellow writers were able to meet Pierre Salinger, Kennedy’s press secretary.

And I noticed in my research that The Trail did not publish for three weeks after the President’s assassination, which I asked Bill about. His reaction and response to that question were both indicative of the sheer effect of that event on him and his fellow classmates. His description of campus, and the entire country, in the wake of the assassination as “emotionally wrought” almost seems to be an understatement.

I also asked Bill about the effect of the civil rights movement on campus. After all, in his time as editor James Meredith, the first African American to attend the University of Mississippi, visited campus and delivered a speech on the meaning of race in the United States. Bill said that one of the Associated Student Body Vice Presidents, was instrumental in bringing Meredith to speak at the school. After the speech, that ASB Vice President was severely reprimanded by University President R. Franklin Thompson for bringing such a controversial figure to campus. Apparently, President Thompson was worried that the school would lose conservative donors who might be offended by the student body’s warm reception of such a controversial figure. He also remembered civil rights in relation to campus life; he only can remember three African American students on campus, two of whom were blocked from joining sororities and fraternities due to their race. One was also a controversial figure for dating a white student very publicly, and their relationship caused some tension on campus. However, Bill also remembers many students on campus being quite tolerant and supportive of the civil rights movement.

His information about student life is extremely valuable to the Archives & Special Collections, as well as to my research.

I had an excellent time listening to Bill’s stories and gained valuable experience from preparing and recording an oral history just like a pro!

By: Jillian Zeidner

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From the Archives: Ad Acta*

This week I finished indexing the issues of The Trail from the 1963-1964 academic year and started on 1964-1965. One of my favorite things about my project has been looking at the ads that appeared in The Trail.

Mostly, the ads were for local businesses: jewelry shops, restaurants, clothing stores, barbers, and laundries. Most of the businesses aren’t around anymore, but some are still Tacoma staples, like:

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One trend I noticed in the ads is that each week there was at least one ad for engagement and/or wedding rings for women. Those advertisements were generally placed by national companies, who were apparently banking on most or all college women to be engaged or married by the time they left college.

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Like the one above, they often even included an option to get engagement and wedding planning pamphlets!

There was also at least one advertisement for NoDoz caffeine pills each week…they knew who their main market was, clearly.

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Of course, there were ads for Coca Cola:

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Coke was clearly trying to appeal to the younger generation with their ads. But Coke wasn’t the only beverage that was trying to make itself seem more hip with its ads in The Trail:

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Yes, milk was trying to appeal to the younger generation too. Notice the similarities between the second Coke ad and the above milk ad. The milk ads also got pretty sassy: “Milk gives you a special kind of longer-lasting vitality. The kind that doesn’t fizzle out.” That seems like a definite dig at Coke. The milk ads made some other claims about milk’s “special” properties:

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Seriously. The cheapest beauty treatment in the world! Just drink some milk and your skin will become flawless.

The Trail no longer contains as many advertisements, which is a bummer for the people who will come along in fifty years to look back through the issues. Those future people certainly won’t have as much fun as I have looking at all the ads!

By: Jillian Zeidner

*I was trying to come up with a punny title for this post. The phrase “ad acta” means “to the archives” in legal-ese.

 

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From the Archives: The Quest for “Bob’s Place”

This week, dear reader, I present to you a mystery. Don’t worry, no one was murdered.

On Thursday, I was indexing as per usual when I noticed that “From the Corner,” a weekly column from the 1963-1964 school year written by Tom Crum, often includes mentions of “Bob’s Place.” I think I’d noticed it before, but it really struck me on Thursday and I decided to try and figure out what “Bob’s Place” was. Here’s an example of how “Bob’s Place” was mentioned (from The Trail, 1963-1964, no. 6, 6 November 1963):

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I started by trying to figure out if it was mentioned anywhere else in The Trail and other publications. It did show up in one letter to the editor in the October 16, 1963 issue:

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The people who wrote this letter were both writers for The Trail at the time, so I briefly thought that it could have been a group or meeting that was specifically for members of The Trail. But if that was the case, wouldn’t it be mentioned elsewhere in The Trail?

I word-searched several issues of The Trail to find out if others had talked about it. However, “From the Corner” was the only place it ever came up, and it never popped up before or after 1963-1964. So, it wasn’t a column in The Trail or an established school institution. I began to think that maybe Tom Crum made it up as a rhetorical device. But that didn’t quite fit.

After rereading every article where Bob’s Place was mentioned, I began to think that it might have been an informal student discussion group that took place somewhere called Bob’s Place in Tacoma, like a coffee shop or a barber shop. I did a quick Google search, and there was (and still is) a coffee shop called Bob’s Java Jive, so I began thinking that it could have been a student group that gathered there and talked about current events. I couldn’t figure out how to confirm it, though.

This past weekend was Summer Reunion Weekend for the alumni, and we had a couple of open houses here in the Archives & Special Collections. I seized the opportunity to ask everyone who was at the school in the 1963-1964 year about Bob’s Place, but no one knew anything about it. I was getting desperate.

I talked to John Finney ’67, who had no idea at all and recommended that I call Bill Baarsma ‘64, the editor of The Trail for 1963-1964 and former Mayor of Tacoma. I called Bill on Monday, who gave me two possibilities: it was either a group that met at Bob’s Java Jive (as I suspected) or a group of people involving Bob Sprague ’64, a basketball player. He couldn’t be sure and recommended I call Tom Crum himself to ask about it (why didn’t I think of that first?!).

Finally, I called Tom Crum yesterday and had a brief yet pleasant conversation with him. I was burning with curiosity at this point but tried to contain my enthusiasm as I asked him “So what was Bob’s Place anyway?”

The answer is simple: it was a group of people that sat around in a specific corner of the Student Union Building smoking and talking about whatever they wanted. This group did in fact involve Bob Sprague, and the corner came to be known jokingly as “Bob’s Place”.

It took a lot of people and a lot of time, but I finally nailed down what Bob’s Place was. What a cool tidbit of trivia about the students in the 1963-1964 school year!

By: Jillian Zeidner

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The Puget Sound Book Artists is pleased to announce the 2013 Member’s Exhibition Awards

Criteria for selection:
Awards will be granted based on a combination of factors including, but not limited to, originality, creativity, content integration, unity of form, craftsmanship, reader/viewer engagement and conceptual strength.

COLLINS MEMORIAL LIBRARY AWARD
At the request of the Library Director, 2-4 representatives of the University of Puget Sound will select one work for the award. Participating in the award selection are:

Peggy Burge:  Humanities Librarian
Julie Christoph:  Director of the Center of Writing, Learning and Teaching and a supporter and user of our collection
Katie Henningsen: Archivist and Digital Collections Coordinator
Hilary Robbeloth, Metadata Librarian.
Both Hilary and Katie are working with cataloging and preserving our current collection.

Criteria for selection:
The Collins Memorial Award will be granted based on a combination of factors including, but not limited to, originality, creativity, content integration, unity of form, craftsmanship, reader/viewer engagement and conceptual strength.

AStrangeCase

A Strange Case of Alchemical Munificence by the Elliott Press

Elliott Press~Jessie Ehman, Jakob Maier, Stephanie Beckman, Brandi Smith, Jen Arbaugh, Leah Thomas, Mark Larkin, Taylor Andringa, Allison McDaniel, Malena Goerl, Colin Mischel, Morgan Knowles, Jacob Ooley, Kelsey Johnston, and Nick Sanford
Tacoma, WA

A Strange Case of Alchemical Munificence (2013)
About this book:
Letterpress printed cards, pochoir, linoleum carving, ornaments and more than 99 alchemical symbols donated to the Elliott Press by Dr. Shaw in the 1980s. Cards are 3 x4 inches housed in a 4 x 6 x .75 inch box, 99 pages. This work is an edition of 33.

The number 9 plays a significant role in the noble art of alchemy. Symbolic of perfection and attainment, satisfaction and completion, the number 9 is concerned with intellectual power and the journey towards spiritual enlightenment.

The ninth tarot card in the Major Arcana is represented by the Hermit-oftentimes viewed as an alchemist who travels the world with only his secret knowledge to guide him.This deck-divided into 9 distinct categories-explores the fundamental meaning of 17th century alchemical symbols left to us by Dr. John Shaw, a dermatologist and hobby printer.

springjl@plu.edu
https://sites.google.com/a/plu.edu/ppa-program/ Elliott Press

We selected A Strange Case of Alchemical Munificence by the Elliott Press for its aesthetic appeal, as well as for its broad disciplinary applications and its potential to inspire collaborative work.  We envision A Strange Case being of interest to students in the history of science, religion, creative writing, and art.  We were especially impressed with the way in which this piece models the collaborative process and demonstrates that a relatively large group of artists can produce a cohesive piece of work.  The tactile nature of the piece invites us to play with it to create new meanings.

RECOGNITION OF EXCELLENCE AWARD
The curators of the 2013 exhibition have invited Megan Benton to select the work for the 2013 Recognition of Excellence Award.

Megan Benton: Former Director of the Publishing and Printing Arts Program (including the Elliott Press) at Pacific Lutheran University, author of Beauty and the Book: Fine Editions and Cultural Distinction in America (New Haven: Yale University Press, 2000), MFA-University of Alabama

Criteria for selection: 
The Recognition of Excellence Award will be granted based on a combination of factors including, but not limited to, originality, creativity, content integration, unity of form, craftsmanship, reader/viewer engagement and conceptual strength.

Arini Esarey  for “Laa ilaha illallah”

Arini Esarey for “Laa ilaha illallah”

Laa ilaha illallah (2012)
About this book:
Two-section pamphlet sewn book with custom-made cradle box, cotton cloth, embroidery thread, ribbon, bookboard and bookcloth; 8 x 7.5 x 2.25 inches, 25 pages. This work is unique.

This book was made as a reflection on my mother and the role of faith in her life. She hand-wrote these words in Arabic and their English transliteration, which I then copied and embroidered 100 times.

The phrases are stitched in random arrangement on recto and verso so the front and backs of the stitching are exposed as one turns the pages.

I hope that the pacing will cause viewers to read through this book mindfully. Through this project I hope to unite my sources of joy and contemplation with hers and thereby gain understanding of her perspective.

ariniesarey.com

Arini Esarey
I am an artist, bookbinder, and conservator currently based in Walla Walla, WA. Conceptually, I engage in work concerned with the simple ways we find delight in connecting with something larger than ourselves, whether that be other people, nature, or the divine. Such work is created by means that are repetitive in motion, rooted in traditional crafts, or that rely on the cycles of nature.

This work succeeds beautifully on many levels. The meditative nature of the simple text is mirrored in the work’s formal qualities, especially the use of repetition and hand-sewing, long associated with women’s reflective spirituality across many faiths and cultures. The fraying edges of each cloth sheet further echo the thread-made words, and the stitched undersides of each page (in a nice literal illustration of the term verso) similarly help the incantation linger, visually and substantively. In effect the book embodies a religious chant in ways that give it dignity, honor, and depth. The craftsmanship of the solander box is also excellent, and the enclosed cradle, with end flaps that fold to create a lectern, is a thoughtful and unifying design element.

CURATOR’S CHOICE AWARD
Curators:
Patricia Chupa: Book artist from Olympia, WA. Her work showcases a range of artistic and literary pursuits, generated from her interest in book arts, letterpress printing, writing, book binding, proofreading, beta reading, copy editing, indexing, and leading workshops.

Debbi Commodore: Book artist, relief printer (linoleum/woodblock/letterpress) from Tacoma, WA.

Deborah Greenwood: Collage and book artist from Tacoma, WA.  She studied art at the Columbus College of Art and Design and earned a doctorate in Mythology and Depth Psychology at Pacifica Graduate Institute.  Interest in these areas fuel her visual explorations in collage-based books.  Her books are collected by university libraries and art schools.

Kay Govan: Katy Govan has a BFA in Photography and an MFA in Book Arts. She is a college art instructor and also leads workshops in both subject area. She currently lives in Olympia, WA.

Lynn Knopp, Trilogy of Hope: on the horns of a dilemma

Lynn Knopp, Trilogy of Hope: on the horns of a dilemma

Lynne Knopp
Bainbridge Island, WA

Trilogy of Hope:  on the horns of a dilemma (2012)
About this book:
Accordion-style structure, Lunaria pod pages, waxed beadstring, beach-rock cover, antique Japanese frogs, and recycled glass shelf; 1.375 x 1.5 x 1.5 inches (opens to 25 inches), 30 pages. This work is unique.

There is a fragility to life and an indomitable nature of the human spirit.  From the oldest living survivor of the holocaust, whose son conveyed that he was given such extraordinary security while living in a concentration camp that “in the middle of hell, my mother created a Garden of Eden for me” to a badly burned child, who rallied after being visited by a volunteer teacher: “It is not likely they would teach adverbs to a dying boy”.

Hope is the last thing ever lost, but it is often found in the most precarious of places.

lynneknopp@hotmail.com
Lynne Knopp
My books are tributes to the Art of Procrastination.  At times I am drawn to a certain material and/or technique, while other times I am inspired by a call for entry.  My process is often convoluted as I collect the components for a finished product and think through problems for weeks, months and often years!

The Curators’ Choice Award for 2013 is given to Lynne Knopp, for Trilogy of Hope: on the horns of a dilemma. The team felt that this work embodies in itself all of the criteria for selection. The original vision of the artist – to convey a universal concept that is both constant and also fragile; her inspired choice of durable and timeless rock for a cover, and the fleeting, ephemeral and transitory nature of the Lunaria pod leaves as pages sheltering the text; the clever use of flower frogs giving eloquent voice to the reality of the prickly and hostile environment in which Hope abides – all these elements provide a wonderful enticement to reflect on the message it holds.

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From the Archives: Settling In and Discovering Limits

If last week was about me figuring out what the heck I’m actually doing, this week was about me figuring out just how to do that.

I had a difficult time deciding where to start with my indexing, because while I did narrow my project to the 1960s, that’s still ten years and a lot of issues of The Trail. So, I took a step back and situated myself in the larger context of the 1960s by making a highly technical and accurate timeline.

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Yeah, that clearly took me a lot of time to make…

However, it was a very useful place to start. Now that I have these dates nailed down, and in an easily referenced place, I can look for parallels or stories about the events in The Trail.

Not that the timeline came in handy when I actually started indexing; I pretty much just chose a random article on the front page of the issue from November 6, 1963 and indexed out from there. In hindsight, there was a much more natural place to start: October 2, 1963. It would have been more logical in a variety of ways; in addition to being the first issue in the 1963-1964 school year, it was the published the day after John F. Kennedy visited Tacoma and it has a lot of material on him, including descriptions of his speech and student opinions on what he said. But you live and you learn, right?

The indexing itself is going much smoother than I anticipated, and I’ve been getting through two or three issues each day! Way better than I thought. I will have to do a lot of cleaning up at the end of the summer (and figure out how to actually find Library of Congress headings for all of these), but for now this is great progress.

Perhaps the greatest (worst?) thing I learned this week is that Microsoft Excel is not infinite. Since I was a child, I have believed that Excel would just go on creating rows and columns forever and that it didn’t have any end. Well, young Jillian, behold:

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I have found the last possible cell in Excel. That highlighted one in the lower right corner. It’s kind of a letdown, and young Jillian is very disappointed.

If I actually reach these limits this summer, it will mean that I’ve been a little too enthusiastic with my use of subject headings.

By Jillian Zeidner

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From the Archives: Indexes on Indexes on Indexes

This summer, I’ll be indexing all of the issues of The Trail from the 1960s. Even though it’s just one decade of the run of this student newspaper, that means indexing approximately 500 issues all by myself so I’m sure I’ll have my hands full. I’ll also be doing some research on how students wrote about the assassinations of public figures during the 1960s (e.g. John F. Kennedy, Martin Luther King Jr., Malcolm X, Robert F. Kennedy).

Here are some photographs from my first day in the Archives & Special Collections. I spent my day getting acquainted with how things work here and doing some research on indexing methods past and present:

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I picked up the indexes for The Times and The New York Times just to see examples of how newspapers have been indexed over time. The Times index looks basically like a book index with normal sized font, no surprises there. However, The New York Times index is different…much different:

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Look at how tiny that font is! Above are the first of multiple pages under the heading “Government”. They packed some major text on those pages.

Here’s a close-up:

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Unlike (most) book indexes, there’s a description of each location listing, which is pretty useful. However, the locations are just mixed in with the descriptions and many of the descriptions make very little sense, so all told it’s not a super user friendly index. At least it’s all online now, and much easier to use.

Side note: The New York Times index was handwritten, in the same format, from the paper’s start in 1851 until 1913. HANDWRITTEN. I’ll just have to keep that in mind if my job ever feels tedious; no matter how much I feel like complaining, at least I’m not the person who had to hand write The New York Times index.

By Jillian Zeidner

 

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We Are Taking a Break This Summer – Look for Thursday Posts by Jillian Zeidner!

summerWe are taking a break from routine this summer and turning our blog over to Jillian Zeidner – look for posts each Thursday.

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