{"id":3680,"date":"2017-11-10T08:00:58","date_gmt":"2017-11-10T15:00:58","guid":{"rendered":"http:\/\/blogs.pugetsound.edu\/econ\/?p=3680"},"modified":"2017-11-10T00:48:29","modified_gmt":"2017-11-10T07:48:29","slug":"the-economics-of-media-franchises","status":"publish","type":"post","link":"https:\/\/blogs.pugetsound.edu\/econ\/2017\/11\/10\/the-economics-of-media-franchises\/","title":{"rendered":"The Economics of Media Franchises"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Movie franchises are having a bit of a moment right now. Between <\/span><i><span style=\"font-weight: 400;\">Star Trek<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Star Wars<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">J.K. Rowling\u2019s Wizarding World<\/span><\/i><span style=\"font-weight: 400;\">, the <\/span><i><span style=\"font-weight: 400;\">Marvel Cinematic Universe<\/span><\/i><span style=\"font-weight: 400;\">, and the <\/span><i><span style=\"font-weight: 400;\">DC Extended Universe<\/span><\/i><span style=\"font-weight: 400;\">, it is almost impossible to escape movie franchises. And if you did not start all of these at the beginning, good luck catching up (take the <\/span><i><span style=\"font-weight: 400;\">Marvel Cinematic Universe<\/span><\/i><span style=\"font-weight: 400;\"> for example; there are 17 movies already). The amount of time and money required to catch up on these franchises would be quite large. Say, for example, that the average length of a movie is two hours, it would take almost a day and a half (with no breaks) to watch all 17 <\/span><i><span style=\"font-weight: 400;\">Marvel<\/span><\/i><span style=\"font-weight: 400;\"> movies.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It may be tempting to try to escape this onslaught by turning to books instead. However, franchises are prevalent in print as well. To name a few: <\/span><i><span style=\"font-weight: 400;\">The Wheel of Time<\/span><\/i><span style=\"font-weight: 400;\">, the <\/span><i><span style=\"font-weight: 400;\">Discworld<\/span><\/i><span style=\"font-weight: 400;\"> series, the <\/span><i><span style=\"font-weight: 400;\">Oz<\/span><\/i><span style=\"font-weight: 400;\"> books, and basically any mystery series. Even (or, perhaps, especially) children\u2019s books are prone to franchising. Some examples: the <\/span><i><span style=\"font-weight: 400;\">Warriors<\/span><\/i><span style=\"font-weight: 400;\"> series, the <\/span><i><span style=\"font-weight: 400;\">Nancy Drew<\/span><\/i><span style=\"font-weight: 400;\"> series, <\/span><i><span style=\"font-weight: 400;\">The Babysitters Club<\/span><\/i><span style=\"font-weight: 400;\"> series, <\/span><i><span style=\"font-weight: 400;\">The Boxcar Children<\/span><\/i><span style=\"font-weight: 400;\"> series, and the <\/span><i><span style=\"font-weight: 400;\">Magic Tree House<\/span><\/i><span style=\"font-weight: 400;\"> series.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Why are media franchises so popular? Of course there is nostalgia and sentimentality, but there is also an economic argument. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Franchises are low-risk, high-reward investments for producers. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Producers like franchises because they are a known quantity. If millions of people showed up to see the last movie in the franchise, it is fairly likely that millions will show up for the next one. Plus, when producers specialize, they are able to benefit from a concept known as learning-by-doing, in which a producer is able to become more efficient over time simply by gaining experience. For example, a company that specializes in making superhero movies will learn more about how to write better plots, create more effective trailers, and run more successful advertising campaigns. A publisher that specializes in mystery novels will learn to design more eye-catching covers and select and edit manuscripts that are more effective in their storytelling. Because of these factors, the costs to a firm of producing another work in their franchise will decrease as the franchise continues.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If, instead, the firm takes a risk on something new, there is no guarantee that they will get it right, and if they do their is no guarantee enough people will show up to make the investment worth it.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is because franchises are also low-risk for viewers. The transaction costs a potential viewer incurs when determining whether a movie is worth seeing or a book is worth reading are lower for franchises; if, for example, the viewer has already seen one or more movie in a franchise, the need for that viewer to expend a lot of time and energy investigating the movie is fairly low. On the other hand, a movie or book not in a franchise may be more time consuming to investigate. The potential viewer would have to read reviews, find out whether anyone involved in the production (the writer, the director, the lead actors, etc.) have been involved with any other productions that person likes (or dislikes). Some people are\u00a0very willing to take that risk (depending on the person\u2019s level of risk aversion and expected value from works in franchises versus stand-alone works), but many people are not.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Taken together, this means that media franchises are here to stay.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Movie franchises are having a bit of a moment right now. Between Star Trek, Star Wars, J.K. Rowling\u2019s Wizarding World, the Marvel Cinematic Universe, and the DC Extended Universe, it is almost impossible to escape movie franchises. And if you did not start all of these at the beginning, good luck catching up (take the Marvel Cinematic Universe for example; there are 17 movies already). The amount of time and money required to catch up on these franchises would be quite large. Say, for example, that the average length of a movie is two hours, it would take almost a <a class=\"more-link\" href=\"https:\/\/blogs.pugetsound.edu\/econ\/2017\/11\/10\/the-economics-of-media-franchises\/\">Continue reading <span class=\"screen-reader-text\">  The Economics of Media Franchises<\/span><span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":557,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-3680","post","type-post","status-publish","format-standard","hentry","category-economics"],"_links":{"self":[{"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/posts\/3680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/users\/557"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/comments?post=3680"}],"version-history":[{"count":3,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/posts\/3680\/revisions"}],"predecessor-version":[{"id":3683,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/posts\/3680\/revisions\/3683"}],"wp:attachment":[{"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/media?parent=3680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/categories?post=3680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.pugetsound.edu\/econ\/wp-json\/wp\/v2\/tags?post=3680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}